Green day discography cover
![green day discography cover green day discography cover](https://www.nme.com/wp-content/uploads/2016/09/09210_145917_greendaynewCOVER.jpg)
It was as good as most of the other stuff Lookout! was putting out at the time, but it wasn’t up to their top quality. Normally, anything they did was just awesome, right from the start. Still, they turned out a six-song demo that was unusually…not that great for them. So I booked them into the studio and said, “Go! Get started on the new album.” They went, but I didn’t realize that they weren’t completely thrilled about it.
![green day discography cover green day discography cover](https://www.rollingstone.com/wp-content/uploads/2019/01/green-day-dookie-10-things.jpg)
The only real effect I had on the production of the album in terms of the audio was that I pushed the band to get into the studio in the spring of 1991, because it had been a year since their first album. And unlike a lot of bands who would ask me for advice, like if they should put backups on their chorus, things like that, Green Day just knew what they were going to do. Green Day were always a band that just did things their own way. I did not have that much influence or impact at all on the music. I was mainly responsible for the album cover. To celebrate 30 years of Kerplunk!, Riot Fest chatted with Livermore about his time at Lookout! and his role in releasing Kerplunk! - including how his quirky submission for a local fanzine and bare bones idea for an album cover actually spoke about the looming issues of misogyny and sexism in punk rock.Īs the principal owner of Lookout! Records, what involvement did you have in Kerplunk!? The author of this insert is none other than Larry Livermore, the principal owner and co-founder of Lookout! Records, which released Green Day’s earliest studio recordings. As the story goes, Laurie is arrested backstage and sentenced to time in prison until 2019. One of the inserts included in Kerplunk! was a fictitious diary entry from “Laurie L,” a teenage brat who murdered her parents so she could go on tour with Green Day. The record’s 12 pop punk songs are accompanied by goofy liner notes and iconic, yet simple, artwork - the cover image of a winking woman brandishing a gun and the smiling cartoon flower on her t-shirt have both been tattooed on Green Day superfans all over the world. Kerplunk! is the first studio recording in the band’s discography that features drummer Tré Cool, as well as the original recording of “Welcome to Paradise,” which would be re-recorded as the fifth track on the band’s major label debut, Dookie. The album has a few notable achievements other than its numbers alone. With 10,000 copies sold on its release day, Kerplunk! remains one of the best-selling albums ever released from an independent label, and would go on to sell more than a million copies in the U.S. While it isn’t one of Green Day’s top sellers, Kerplunk! marked the end of the band’s era as indie stars, and the beginning of their transition to commercial celebrities. All of that would begin to change, though, when the band released Kerplunk-often stylized as Kerplunk!-their sophomore LP on Lookout! Records on December 17, 1991. And, while they may have been rising local stars in the East Bay punk scene, they were still a far cry from any major commercial success. In 1991, international pop punk superstars Green Day hadn’t yet achieved international fame.